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MyExcess: How To Draw Pin Up Girls by David Gordon

David Gordon

MyExcess

Comic Album format ( 20.98 wide x 29.69 cms)

Black & white

100 pages

£9.99

 

David Gordon has rightly been called “the British Manara”!  He is a veteran of pin-up art and has worked for Eros Comic (Maeve) and the future release Darke Child.  Dave mainly concentrates on his own line of books under the MyExcess imprint.

 

In this book Dave discusses the type of drawing implements he uses to get “the look” that is associated with his work as well as a few guidelines.  Now, Dave draws attractive looking women and to many young artists the female form is difficult to draw and I know more than a few who have asked me over the years how to get faces right on their female characters.  Well, I’m 54 this year and I’ve been studying faces and figures for about 40+ years. Not a lot of newbies want to wait that long!

 

In this book Dave looks at how to draw the female face as well as figure.  This includes how to draw women wearing various types of shoe –a lot of inexperienced artists make BIG mistakes by putting female characters in very high heels but positioning the feet wrongly.  Another thing that creates a few problems are hands. Most artists have a kind of “abbreviated” way of drawing these which works if you are drawing a comic strip, however, if you want to draw Good Girl or pin-up art you need to get this right.

 

Body shape, various stages in drawing a pin up and much more is covered in this book and to show what he does, Dave has included a gallery of black and white pin ups which, again, newbies can learn from.

 

Obviously, this is a book you need to be over 16 to buy –but I just cannot understand why line illustrations of naked females have to be categorised as “mature” especially if it involves a guide on how to draw them: maybe that’s why some comic artists today are lousy when it comes to drawing female characters (some of which look like women’s heads placed on men’s bodies!

 

You can order the book via Dave’s MyExcess online store and I do recommend it.

http://www.lulu.com/shop/dave-gordon/how-to-draw-pin-up-girls/paperback/product-20107136.html

And see more of his art (colour and b&w) on his DeviantArt page:

http://filthyweedog.deviantart.com/gallery/

Yes, he DOES take commissions!

http://www.lulu.com/spotlight/hoopercomicsuk

Cinebook The 9th Art At The Expo!

One of the fun things about the Bristol Expo is visiting the Cinebook The 9th Art table. Well, if you can find it.  By “we” I mean me.  I was pointed in the direction of the biggest exhibitor several times but was looking for a big banner or Olivier Cadic. When I eventually found Aldous (left above) and G (right above) they did mention that they wondered why I had walked by them 4-5 times!!  I am old.

Also, thanks to my name remembering problem, I kept calling Aldous “Guillaume”.  He pointed this out with a laugh later on Saturday!

People kept asking me -and the Cinebook people- where Olivier was? We missed him!  In fact, because of his political work, Olivier was in France following the recent elections.  It was also good to meet Tim from Oxford again after last year -and several longer chats this year!

Aldous and G were doing fantastic work and considering it was just this dynamic duo dealing with everyone they deserve a pat on the back.  Two very cheerful and busy fellas!

Nice to see that Spooks, the new Cinebook title, was selling so well -only one copy on the table on Sunday and people still asking about Green Manor -still popular.

All the books available from Cinebook can be found on their site -all reviews can be found in CBOs Cinebooks Category!

Below: G working even harder!

Paul Cornell signing Stormwatch The Dark Side

Okay, we don’t do DC or Marvel here at CBO but Paul Cornell has a big fan base so why deprive them of news?

 

PAUL CORNELL will be signing Stormwatch The Dark Side at the Forbidden Planet London Megastore on Wednesday 6th June, from 6 – 7pm.

Press Release and imagery attached.

You can find this on our website at: http://forbiddenplanet.com/events/2012/06/06/paul-cornell-signing-stormwatch-dark-side/

You can also find the RSS feed of our events at:  http://feeds.feedburner.com/fplatestevents.

Thank you!

Danie,

Danie L Ware
Press & Marketing

Time Bomb Comics: KRONOS CITY

KRONOS CITY

Writer: Andrew Coskery   Artist: Alex Wiillmore  colourist; Lauren Willmore

Letterer: Jim Campbell

Graphic Novel

140 Pages

Full Colour

Perfect Bound

Retail Price £14.99/$19.99

ISBN 978-0-9561822-5-8

 

According to the Time Bomb Comics press release:

 

KRONOS CITY LAUNCHES AT 2012 BRISTOL COMICS EXPO!

 

Time Bomb Comics is delighted to announce that their latest graphic novel, Kronos City, is being launched at the Bristol Comics Expo.

 

 

Written by Andrew Croskery, artwork by Alex Willmore, coloured by Lauren Willmore and lettered by Jim Campbell, Kronos City is an extraordinary urban fantasy set within a city through which runs a river of time.

 

Also as part of the Bristol Expo weekend the Kronos City Launch Panel with the creators and publisher Steve Tanner takes place in Talks Room One at 11.15am on Saturday at the Ramada, hosted by Stacey Whittle. Afterwards the creative team will be conducting a signing session from mid-day at the Time Bomb Comics table in the main convention hall.

 

 

Originally announced as one of the flagship releases of short-lived Insomnia Publications, Kronos City quickly found a new home at Time Bomb Comics and will be the first title to also be released digitally as well as in printed form from the Birmingham based publishers.

 

 

Time Bomb Comics will also be at the Kapow Comic Convention taking place in London over the weekend of 26th & 27th May.

 

Well, it was a little bit of a disappointing turn-out as a lot of people were still queuing to get their passes and I met a few who had missed the panel because of this. Sad really, but there was a good twist to this which I’ll mention later.

 

This story of a man, Finn Vedant, who dips into the time stream to predict future problems individuals coming to him might experience and the steps needed to avoid the bad stuff is interesting. He is aided by a vampire and a fairy as well as hindered by a rather nasty god wanting to make a “come back” as it were.  Meanwhile, Finn’s mother, a scientist, is looking into the properties of the river of time.

 

I’m not going to give too much away as it’s a new book and that would be a trifle unfair.  I was reading it at 0300 hours on the Sunday of the Expo and it was enjoyable enough.

 

Now, the art is a little bit rough in places.  This should not be surprising since this is Alex Willmore’s first book and jumping into a 140 pager as a first work takes a lot of balls.  There are still some really nice touches and it will be interesting to see if there is a follow-up.

 

Despite whatever I write, only one thing really matters: sales.  Steve Tanner, who bravely leapt in to publish this book (a big leap of faith and a new format for the company) had 36 copies of Krono City at his table.  When I saw him on the Sunday he had six copies left.  For a publisher that is a tremendous boost and a weight off the shoulders.

 

I am hoping that Krono City does as well at Kapow (if you are going pick up a copy!) as it did at the Bristol Expo –Time Bombs best year there to date.

 

To all those involved: well done!

UP-DATE

Just heard from Steve -he went home with only 3 copies of the book!  Oh, and the Dick Turpin book also sold really well making this year’s Expo better than 2010 and 2011 combined for Time Bomb. So get copies now!!!

RIP: Eddy Paape 3 July, 1920 – 12 May, 2012


More sad news.  Sebchoq has just informed me of the death of Eddy Pappe.  I first became aware of Paape’s work in the 1970s when Zack comic published the brilliant Luc Orient.

The following is by Gilles Ratier on BD Zoom -http://www.bdzoom.com  the site also has a Paape gallery for those interested.  THANKS to Ratier and BD Zoom.

Eddy Paape was born in Grivegnée (Belgium) July 3, 1920. He studied drawing at the Institute of Fine Arts Saint-Luc in Brussels. From 1942 he worked with Franquin, Morris and Peyo in a cartoon studio. In 1945, when the studio was forced to close its doors, he began painting, then joined his former colleagues to Dupuis.
Eddy Paape there illustrations for women’s magazine Good Evening, and then assists Jijé who entrusted him with the resumption of his series “Jean Valhardi” published in the magazine Spirou. It animates the character from 1946 to 1954 on scenarios of Jean Doisy, Yvan Delporte and Jean-Michel Charlier. In 1951, at the initiative of the World’s Press Agency, he designed the first “Lucky Stories of Uncle Paul,” a series of short comic scripted by Jean-Michel Charlier, for Spirou. In 1956, he launched the detective “Andre Lefort” in the journal Risk-All, again with Jean-Michel Charlier. In 1958, with the same writer, he began the series ‘Marc Dacier’ in Spirou, then collaborated with magazines and Driver Record, from 1959 to 1965.

In 1966, at the invitation of his friend Greg,editor of Tintin magazine, Eddy Paape entered by Editions du Lombard. Together, they derive a series of science fiction “Luc East” (eighteen albums reissued in full by Editions du Lombard, in 2008) and “Tommy Banco” (two episodes). Scenario-André-Paul Duchateau, Eddy Paape also illustrates, “Yorik Storm” in 1971 and in 1978, he co-designs “Udolfo” with Andreas, the newspaper of children 7 to 77 years. In 1988, with Jean Dufaux and Jean-Claude Sohier, he directed “The Garden of Fear” fantasy series published in albums by Dargaud, in 1991, he launched the series “Detective Carol” written by André-Paul Duchateau Hello Bede in (at Lombard). A year later, the duo Greg Paape-recoupled and creates “Johnny Congo” for Lefrancq editions.

From 1969-76, Eddy Paape has taught alongside the comic at the Institut Saint-Luc and the Academy of Fine Arts of St. Gilles in Brussels. Its course are several big names from the current ninth art, such Andreas, Schuiten, Grenson, Godi, Berthet, Cossu, Dugomier, Wurm, Desorgher ….

In 2008, The Lombard devotes, the designer of “Luc East”, a monograph richly illustrated with photographs and graphics often unpublished, “Eddy Paape, the passion of the page after” results from the affectionate admiration of Andrew Paape for his father and talents of Alain De Kuyssche biographer, expert in comics and privileged witness, as he was the editor of the magazine Spirou.

Obviously, bdzoom.com joins the pain of his wife, his son, his family and loved ones.
Until we do a more detailed feedback on his prolific career, you can always read the “Heritage Corner” dedicated to this memorable series of science fiction that was “Luc East”:
http://bdzoom.com/5351 / heritage / the-corner-of-wealth-luc east / .
Gilles RATIER

Tempus fugit

 

Kult Creations: SAVAGE! Jungle Princess #1

John Short (writer)   Gabrielle Noble (artist)

Kult Creations

US size

Full colour

24pp

UK £3.75    US $5.50

 

DINOSAURS!   NAZIS!!  ACTION!!!  JUNGLE…LOTS OF BABES!!!

On the Saturday afternoon of the Bristol Expo I noticed a rather dodgy looking geezer tucked away behind a pillar. As I tried to walk past he moved forward and opened his jacket to reveal a comic. “Oy, guv’nor -wanna buy somethin’ for the weekend, heh? Heh -know what I mean?” followed by a nudge and a wink.  I realised it was “Spliffy” creator John A. Short.

John, of course, did not just write Spliffy but also The Clock comic -which like this book can be found on the Kult Creations site (link on blog roll).

I grudgingly accepted the review book (actually, I’ll take anything if it’s free). Later that day, as I tried to relax after hours of chatting I decided I’d read what I thought would be a bit of “fluff” reading.  After my tea I read it again.  I also read it again at around 0200 hours.

So what is this story that so captivated me that I’ve just read through it for a fifth time and exiled it to a shelf because I don’t want to read it again?

Well,  in June 1940, a German U-boat approaches the unexplored…Death Island.  They spot a British vessel and torpedo it.  And so Friday Robinson, an “H-dropper” agent of “em-eye-five” is cast ashore.  And then she meets the dinosaur.  It’s not on the cover but believe me there is a dinosaur.  So who saves Friday? Why a scantily clad, blond-haired American Arabella Adelaide -the Jungle Princess!!

Apart from fighting a dinosaur there are, of course, the Nazi invaders -all female; the Valkyries- led by the one-eyed Countess Karla who are looking for John Dee’s Philosophers Stone.  They have the, uh, female natives to contend with.  Which is all I’m going to tell you about the plot which has enough in-jokes to keep anyone happy.

In point of fact this made me VERY happy which is a bit odd. But it reminded me of being a teenager and waiting up for the late night horror movie, Hammer or otherwise, because someone had mentioned it got a “bit racey” at some point or you got a flash of flesh.  Despite the skimpy underwear (John tells me there is a rubber tree on Death Island from which comes invisible rubber which is used for garment fastening.  I believe him. He’s a scientist) and the shower scene -did I mention the shower scene?- you don’t get to see anything really naughty “bit” wise.

However, this comic was sheer, unadulterated FUN from cover-to-cover. Gabrielle’s art adds that bit extra with some superb colour work -especially the, uh, shower scene.  I was recommending it to anyone I met over the weekend -the book having been launched there.

I seriously cannot recommend it enough. It’s just fun and cheery, often tongue-in-cheek humour and I never expected the UK to come up with a new jungle character after decades and that the character would be so…fun!  In a world of grim comics this is a beacon of hope and one of my hopes is that we see more.

Why have I hidden the book on a shelf? Because I don’t want to read it too much and spoil the fun I’ll get  when I come across it again.

Out of all I saw over the weekend Savage! Jungle Princess is my Expo comic highlight. Really: buy a British Independent comic but make sure it’s this one!!

http://kultcreations.blogspot.co.uk/

Below. John Short (nod and wink): “Fancy a bit of jungle action for the weekend, guv’nor?”

It Doesn’t Matter What You Call It -A Mess Is Still A Mess…

 

 

I have to admit that, at 0430 hours this morning I was seriously questioning comic publishing in the UK.

I’ve been at the Bristol Comic Expo and did a lot of straight-talking with publishers. Amongst these were two who had made snide remarks about not paying the people who work for me. NO ONE works “for me” -we work as a team.  Money made then it’s a 50-50 split.  This, I discovered, is far more than the mouthy publishers offer and I was given differing excuses (remembering that at least two were asking creators to pay 60% towards “print costs” if their books were accepted which is unacceptable, especially if the publisher is using print on demand).

Not one of the publishers present give creators page rates or even an up-front amount.  Most were offering such small amounts in the way of  Creator Royalties that I would be surprised if they ever make the 60% they pay back.  I had to sit down at one point after discovering that not one creator I met had received any money even after 4 years -”It’s a difficult business to sell in” was their tagline and so they would carry on waiting…..

It means that my Black Tower deal (if any money was made via sales) is the best going and, unlike  the other publishers, I offer to send creators sales print outs so they know I’m not lying to them and getting rich.  In fact, profit making wise I’d be the last to get anything.

Made me even madder to hear from banks that I’m (phrased VERY carefully) too old to set up an account and get a loan to buy stock to sell.  Oh, they say, every one of them, that if I start earning big they would be more than happy to open a business account for me to siphon off money. Bless them. I was introduced to a fella from London who is a Small Business advisor with a big bank and I mentioned the problem of banks not supporting comic business. I was told he had come across this and that a customer would stand a better chance of getting business loans if opening a strip club but comics….no.  He then said: “Of course, no matter how skilled or knowledgable you are I’m afraid your age is against you…off the record.”

I was even more shocked to hear from Independent publishers that they had tried to get their books distributed through Turnaround Books which is an independent distributor.  But Turnaround had declined and stated they did not want to step on Diamond distributors toes.  WHAAAT?????!!!

And Diamond, of course, has an illegal monopoly (I think monopolies are still supposed to be illegal?) so tells independent publishers it is not interested.

And comic shop owners were still cacking their pants if asked to take comics from publishers that were not Diamond distributed.  Certain book chains I also heard horror stories about.

What I did utter a huge sigh over were the publishers/editors who were NOW stating what I have been writing about on CBO and telling people for YEARS.  Their responses to all this was a shrug and a sigh.  Not one “lt’s do this” or “we need to do that” utterly frustrating.

I also heard, from people connected to Pannini (who were not, worryingly, present) that things were “looking bleak financially for Pannini in the UK” -time will tell.

But with the lulu.com problems I thought I’d look for other print on demand (PO) printers. Create Space seems a shambles.  The technical and feed-back problems I am getting with them has made me think of pulling out while Ka-Blam! have still not answered a technical question I sent them on 25th April and recently on their Face Book.

Fallen Angel Media just stopped POD without notice so that turned into a dead end.

People were recommending UKCOMICS but, visit their web site, as I’ve been doing since last Summer and info on creating a book with them is still “coming shortly”. I’ve messaged on their Face Book and emailed but nothing.  The guy running the business WAS at the Expo but I never caught up with him and everyone I asked said they had not seen him.

The question you have to ask is, with the burgeoning Alternative/Small Press scene and Independent Comics (all looking for a cheap and economical service) why has no printer in the UK -most all claiming that it is difficult to survive under the current economic climate- jumped in and offered the service?   This is a business saving industry for any printer if they can handle POD. Even if a printer has no computerised POD system set up then surely it’s still possible!

I look at Europe where comics and their creators are far more accepted, even the US, and I then have to think that comics in the UK is just going to remain a hobby while European comics move in and take over.

Up-Date

Apparently, Ka-Blam CANNOT print my books as the specifications are beyond their limits size-wise (I publish A4/Euro comic album size) they tell me this MONTHS after I queried them. Create Space is just a joke. I did everything they asked even though the uploaded file was perfect -they’ve rejected it. This is over a year now messing with them. One of my books rejected… I can order a copy of..but it’s not acceptable….oh, I just give up. I’m stuck with lulu.com in an industry where publishers are crying out for printers (POD)!!

Quick Stat Check -Since I rarely Bother!

Just checked and visits for 21st February total 46676!!

 

Countries/Languages

Visits
RU 441565
EN 326252
CO 287246
NE 211634
ZH 61897
DE 33602
OR 27289
FR 23690
ES 20948
IT 20345
UK 18603
AR 15611
BR 12569
MX 11083
CA 10609
PT 10521
NL 10476
PL 9074
IN 7867
TR 7753

Here I Go! Here I Go! Here I… Well Anything So Long As It’s Not Hypo!

Yay! Having now completed three weeks of record breaking reviews (I think about 50) of French, German and a couple of UK books, plus many, many, many posts of news, events I am plum tuckered out.

Yes, I am now getting a lot of French and German comickers visiting CBO and the hits counter going crazy (same thing on the alternate CBO blogger page).  It is hard work, done between writing and drawing, editing, lettering and publishing comics/books.

Look at that psychotic look in those blurry 0300 hours eyes. WHY am I taking photos of myself at 0300? Because I’m one hot potatto. That or I was playing with the camera after a fault and wanted to see if it was working. I’m sticking with the hot potatto.

Seriously, stop asking -do I look like I’d assault two members of HM Armed Forces after provocation? Don’t answer that -you may be appearing as a character witness!

To Forbidden Planet, Area 51 and Excelsior! Comics -have a profitable weekend.

Cinebook The 9th Art -sell out of books and be as friendly as usual but remember to enjoy yourselves!

If you see me you can say “Hello!” (certain exceptions -for one thing never, ever approach me in the toilets as it is very un-British and a chap does not hold conversations at urinals) as I’m quite approachable. If you are a publisher (small or Indie) then I’ll take review books!

So long as The Curse Of Hooper’s Cameras does not strike again I’ll see what I can get in the way of photos for CBO.

Now, off to smack up a line of Sanatogen for the weekend.