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Evil Blood Suckers vs Piracy?

Posted by admin On December - 27 - 2007

the-professor.jpgThere is,at the moment,a great deal of debate going on over Marvel lawyers clamping down on  internet groups and their content.

Specifically,obviously, Marvel comic scans.

Now,Komics Live and other groups have in place a system whereby,on the day that new titles appear in comic stores they receive scans.  So,when The Twelve #0 came out I got it from the store and checked a certain site -there it was. The same can be said for JLA,Avengers,FF,JSA et al.

There are,I know,parts of the world where there is no access to Marvel or DC comics,or no regular access to them.  There is the problem where the cost of a comic will copst you almost a week’s wage.  India and “Third World” countries you can throw in the fact that there might be access to a computer and maybe a printer but a comic store?  Credit card to order over the internet?  Forget it.

There is also the fact that there are people in the West who may be on no wage or spendable income and comics are a form of entertainment they can get via the net. 

I know people in the UK who can no longer afford to buy comics because of increasing cover price -even I only buy a few selected titles now.

Marvel and DC are major world wide companies who,via comics,licensing,merchandise,films,TV and much,much more,make so much money that my numerical dyslexia could not handle the number of zeroes!!!

Now,cheaper cover prices would -would- help but I cannot see that happening because even if the editorial management thought it worth trying there are “The Suits”.  Those number crunching accountants to whom even a penny going astray is a major disaster.  They would NOT approve and as for the board members they sure ain’t going to lose any money through choice -company can always be sold off [again] if things go hinky.

Now,my own policy has been to not download new comics. I could quite well expand my reading and cut spending to zero but my eyes and computers….besides I like to hold and feel the comic.  Comics that you cannot get or even afford to purchase -Diamond,Gold or Silver Ages I do grab scans of,especially when in the UK very inflated prices are asked by dealers.  Example?

Okay,I wanted a certain Charlton horror comic from 1974.  Nothing special.  Not a rarity.  When I could find it in the UK I was asked for between £15-20 [that’s roughly $30-40US] but people I knew in the US were picking up the issue for 50c-$1.   Eventually,an old guy running a table at the UK Comic Expo give me the issue and sold me quite a few others for £5 [about $10]!  A bargain.  I could have gotten the issue for nothing on the net,but I wanted to buy it.

But,and we need to remember this:scanning and distributing  can be classed as piracy if you want to get awkward.  I can tell you,though that “piracy” usually involves making money from illegally copying things -I have not come across a group asking for money for the scans.

The people on these groups,the members,whether scanners or not,all have a love of comics.  They are comic fans.

As soon as Marvel or DC lawyers stop one group then another will spring up -did they learn nothing from S.H.I.E.L.D.’s battles with Hydra?!  [in case you didn’t get that joke;in legend if you cut off a head of the Hydra then another grows.  sheesh].

Let’s face it,in legal fees alone is going to cost Marvel Comics thousands of dollars to get the ball rolling and I’d hate to think of how many thousands a legal team  is going to cost just to write a letter and say “You don’t stop -we’ll sue ya!” Maybe $30,000 minimum,depending on the law firm involved.

Marvel might as well make donations to the groups involved for promoting their products!

You’d need totally incompetent people in charge to say that Marvel is suffering financially from these scanners and that it could not take the financial loss.

My sympathies lie more with the smaller independents who cannot demand more and more shelf space and dictate your order size or cover prices. 

Image Comics produces great titles yet,suffer from lack of prominent display in many UK stores.  Publishers like Ape Entertainment,Archaia Studios and even AC get little if any prominent space on shelves -though Forbidden Planet in Bristol has given space to titles like Hybrid Bastards.

I recall a certain period 2-3 years back when Marvel and DC were being delayed and distributors then panicked and tried to get Independent publishers to fill the shelves -but the distributors had never tried that hard before or since;once DC and Marvel were back it was “**** off and get back in line!” to Indies.

For many of these Independent publishers every single penny counts.  I know this from publishing and as a creator who has Royalty based contracts.

I think that most groups I know of,though they provide scans,do carry the legend:”If you like it -BUY it!” and this is okay and is helping promote in a way distributors do not.

Again,with Independents there is the fact,if you cannot get Marvel or DC comics where you live then you are certainly not going to get AC or Archaia comics.

So,there is the part of me that thinks Independents do require more sales but the other part of me knows that most of the Indie titles might never be seen or purchased unless first seen on a scan group.

Groups should keep promoting the “If you like it -buy it!” idea but Marvel could,honestly,spend millions and never stop scan groups.  Far better to try to use them to promote their titles.

Scan groups are here to stay.

1 Response

  1. Elizabeth Burton Said,

    First, I’ve heard all the arguments about how sharing copyrighted works is justifiable, and I’m not going to get into yet another circular debate. Those who are convinced it is won’t listen, anyway. I speak from my life as a writer and a publisher, but also as a reader.

    Let’s be clear. Scanning and publishing any copyrighted work can’t be “classed” as infringement. It is infringement. The creator of the work has given the publisher–and ONLY the publisher–the right to reproduce it. Whether it is sold or not is irrelevant.

    That said, I do empathize with those fans you’ve cited, whose finances or other issues prevent them from obtaining what they want. I’ve been there. A lot.

    However, as a writer as well as a publisher–a VERY small publisher–I can’t buy into the argument that “they have a ton of money and can afford to lose a few bucks” justifies stealing. And it is, folks, like it or not, exactly as if you’d gone into the comic store and tucked that baby into your backpack.

    Do I agree that draconian enforcement of digital rights laws is the only way to go? No. As you’ve said, all it does is aggravate people, who then proceed to set up their sharing site again somewhere else. On the other hand, I don’t have the overhead the big publishers do, and that’s something you have to keep in mind. Yes, they’re making millions every year–but they’re also providing jobs for lots of people. Who won’t have those jobs if their employer has to cut back because of revenues lost.

    Are major media profits obscene? Sure. But so are Wal-Mart’s. Does that justify shoplifting–or make it any less illegal?

    And then there’s the other issue, which is: If it’s okay to scan and share the property of the major corporations, does that mean it’s okay to do the same for smaller companies? Companies who DON’T have huge revenue streams and well-paid legal departments to prevent it? Where is the line drawn, and who draws it?

    Only 1% of published writers is in the Stephen King segment. The vast majority don’t even make enough to buy groceries.

    I wish the issue were as simple as you’ve made it, but it isn’t. When you share published work without paying for it, you may not hurt the big publisher, but every book or comic or CD that isn’t sold is also royalties the author or inker or musician doesn’t get. For some of them–for MOST of them–that’s a big deal.

    Posted on December 27th, 2007 at 12:56 pm

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Comic Bits Online is the web version of the Comic Bits magazine Edited and run by Terry Hooper. Currently Interviews Editor at Manga Life,Terry has over thirty years experience in the comic industry as script writer,artist,freelance Editor,publisher and much more. But if you want the facts: Curriculum vitae Name:Terry HooperDob:6th June 1957 [50 yrs]Currently living Ashton Vale,Bristol,United Kingdom ...Read More

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